Firm Against the Pattern

When I saw Charity dancing 
alone in the farmhouse kitchen— 
eyes closed, lips parted, held aloft 
in one hand half a mango, 
a gigantic butcher knife 
clutched in the other—I froze 
at the screen door as I always do 
when I come upon someone praying. 

All night I had been hitting 
on the daughter of a tiny woman 
orphaned by Hiroshima. 
Grandparents had been lost, and the mother 
would soon be dead though no one knew 
if it was the blast or the facility 
she retired next to in Utah. 

This was the kind of bitter irony 
that made you want to burn the flag— 
even if it was against the law, even 
on the Fourth of July on property owned 
by a Republican state senator. 
Which is precisely what would happen 
later, after we’d drunk the wine. 

Hey, he said in one of those voices 
unique to fraternity members 
high on nitrous oxide, anybody want a drink 
of hundred-year-old Romanian wine? 

Before we could answer, he had produced 
from one of the pockets on his wheelchair 
wine he meted out, so help me God, 
from a Mrs. Butterworth’s bottle.

By the time that bottle made its way
around the bonfire, I was drunk
on kimonos wed to atom bombs
and motherless children left to cultivate
an excruciating beauty,
drunk on crippled tipplers
scarcely larger than dolls.

Like the wine my father fashioned
out of blackberries, out of plums,
it was sweet and very strong
and it wouldn’t have taken much to turn
Mrs. Butterworth upside down 
until her skirts fell and I’d forgotten 
that the cloud above Nagasaki rhymes 
with the flag we raised on the moon. 

As I watched Charity dance, I rested 
my brow against the rusty screen 
and that knife and mango might have been 
a bottle and a beating heart, 
a bomb and a burned up baby doll, 
a flag and whatever comes to mind 
when you read the word forgiveness

Closing my eyes, I extended my tongue 
and pressed it firm against the pattern: 
I tasted yesterday’s rain,  
the carcasses of moths, 
broken glances, tears, 
the smoke of not-so-distant fires— 
all those delicate gestures 
we collect and call the seasons.

-Brett Eugene Ralph

well la-di-da

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